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Author: Paul Salt

Posted onOctober 9, 2020October 26, 2020

LFF 2020 ‘The Reason I jump’ Review: Exploring the Hidden World of Autism

An adaptation of the book attributed to Naoki Higashida, The Reason I Jump is a film about Autism. It’s about how it is experienced by those affected...

Posted onOctober 9, 2020October 26, 2020

LFF 2020 ‘Time’ Review: Incarcerated on the Outside

Following an armed bank robbery Sibil Fox Richardson served three and a half years in prison. Fifteen years later, her husband Rob is still serving...

Posted onOctober 9, 2020October 26, 2020

LFF 2020 ‘200 Meters’ Review: Road Movie From Palestine to Israel

Mustafa (Ali Suliman) is separated from his family by the Israeli West Bank barrier wall. He crosses over each day to work and visit the...

Posted onOctober 9, 2020October 26, 2020

LFF 2020 ‘Never Gonna Snow Again’ Review: Enlightenment Through Massage

Zhenia (Alex Ugtoff) is a massage therapist and hypnotist. His clients all live in a gated middle class community in Poland. The impact of his...

Posted onOctober 8, 2020October 26, 2020

LFF 2020 ‘Eyimofe (This is My Desire)’ Review: The Journey to the West Starts at Home

Mofe (Jude Akuwudike) and Rosa (Temi-Ami-Williams) are living in Lagos but are soon to migrate to Spain and Italy respectively. The film explores their lives...

Posted onOctober 7, 2020October 26, 2020

LFF 2020 ‘Herself’ Review: Home is Where the Heart is

Sandra is fleeing domestic violence with her two children. Placed into a hostel and a waiting list that will get her housing in four years...

Posted onOctober 7, 2020October 26, 2020

LFF 2020 ‘Siberia’ Review: Abel Ferrerra and Willem Dafoe Undertake a Strange Journey into the Wild

In the Siberian wilderness there is a mountainside bar, catering to unusual individuals. Clint (Willem Dafoe) is the sole employee, and after a few strange...

Posted onOctober 7, 2020October 26, 2020

LFF 2020 ‘Shadow Country’ Review: A Terrifying New Warning

Holocaust films are an established genre of cinema. Over the past seventy years many filmmakers have attempted to capture the truly devastating scale of Europe’s...

Posted onOctober 7, 2020

LFF 2020 ‘Bloody Nose, Empty Pockets’ Review: Last Orders

Following the final day of operation of an American bar as it’s patrons celebrate good times past, bond with each other and fight a little....

Posted onOctober 7, 2020

LFF 2020 ‘Mangrove’ Review: How Far Can A Community be Pushed?

Frank Crichlow (Shaun Parkes) runs a resturuant catering towards black people in Notting Hill in the 1960s. Chriclow and his community are regularly terrorised by...

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